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02/18/04 - Passion, Obsession, Addiction

Outline: What are the differences between passion, obsession, and addiction; to what extent are they healthy/destructive, meaningful/meaningless, life-affirming/life-denying? What makes for a passionate person and why aren't most people passionate?

We started with the question: "Why isn't a cokehead just someone who is really passionate about coke?" which led to whether there was any real difference between the cokehead and someone who is passionate painting which led to a discussion on the nature of addiction and the differences between a cokehead and someone who has to have their morning coffee. The discussion took an interesting turn when someone offered a scientific perspective of reducing addictions, passions, and obsessions to chemical processes - which take their cue from a combination of social inputs (e.g. one's environment) and, for lack of a better word, one's mettle. While this seems to satisfy some, others wondered whether this was the best was of describing what was actually going on when we talk about these concepts.

02/04/04 - Is capital punishment too soft?
01/07/04 - Heroine, Crack, and Newport Lights - Should Cigarettes be banned?
12/10/03 - Why the hell are we still getting married?
11/12/03 - Why do we need evil?
10/29/03 - Philosophy: What's the point?
10/15/03 - Elitism: Are some people better than others?

Tonight's meeting went well as we questioned what it would mean to say that someone/group is better than another person/group. some people thought that we are just not equipped to make such judgements while others were willing to offer possible value standards by which judgements can be made. What remained elusive, for most of the time, was the grounds on which such value standards could satisfactorily stand on. Some thought that a value standard that valued social utility was the best way to go while others thought that a standard that valued individual flourishing was a better way to go. Regardless of which value standard is deemed best, some maintained, after one is chosen one is for all intents and purposes an elitist as soon as one realizes that people/groups that manifest certain key values are better than those who do not. Though it should be said that many were not convinced by this line of reasoning and much discussion ensued.

10/01/03 - Music

This turned out to be one of the liveliest discussions we've had. First we started by outlining three competing theories about why we respond to music at all. The first being that it's just a happy accident that our brain is constituted in such a way that it "digs" music, the second being, as Darwin believed, that it played a role in sexual selection (those who could carry a tune were more attractive and fitter than those who couldn't) which is how it became deeply bound with intense emotional states, and the third being that its origins lie in keeping large social groups together (if they all share common sounds, which then developed into language). But discussion became heated when John Cage's music was brought into the discussion - particularly his piece consisting of 2mins, 33secs of silence. This centered the discussion squarely on the distinction, if there is one, between noise and music and whether noise can be music and vice versa. Some, such as myself, thought that while all music can be considered noise, not all noise is music - the distinction being that music is artistically crafted noise while noise is just noise. Others thought that the work should be evaluated in terms of its performance value while still others thought that the "silence," or background noise, constituted a piece of music.

9/17/03 - Hedonism: Sex, Drugs, and Philosophy
9/03/03 - Is God dead? (and did we kill him?)
7/30/03 - Identity: Who and what are you and how do you know?
7/16/03 - What makes for greatness?
7/02/03 - Determinism and Free Will
6/11/03 - The Matrix Reloaded and Existentialism
5/28/03 - Philosophical Issues from The Matrix I

Introduction/notes for this discussion: [download]  [view]

This discussion focused on Cypher's choice to go back into the matrix rather than live in reality. Underlying this decision are questions about the value of truth and happiness and which we should choose when they stand in stark opposition to each other, as they do in Cypher's case. After presenting four different views of Cypher's decision (see notes), we tried to figure out what, if anything, is wrong about living the matrix. In trying to see whether we have any attachment to reality itself we asked which pill we would choose if Morpheus offered us only freedom from the matrix and a life as a regular citizen of Zion. Some people thought that there's something valuable about living in reality, others disagreed and saw the choice between the matrix and Zion as simply a choice between two different worlds, of equal value, and one should choose the one that allows the individual to flourish the most. Others were quick to point out that one shouldn't see these two worlds as being equal as there's clearly a power relationship between them where the matrix world is subservient to and dependent on the real world.

5/14/03 - Is a just war possible?

While most people tended to think it is possible to fight a just war, discussion focused primarily on the legitimacy of the phrase: "All's fair in love and war." While some tended to think the sparing of non-combatants was an integral part of what makes for a just war, others thought such constraints had no place in war. The reasoning behind the first position was essentially: if a nation is going to war to right a wrong, then committing injustices in the process would invalidate any right that nation's had to go to war. On the other side of the coin were people who thought sparing non-combatants is nothing more than a luxury powerful nations have over weaker nations, and if the playing field is equal and each nation is fighting for survival then such luxuries should promptly be put aside.

5/07/03 - What makes for great art (continued)?

Another good discussion was had this week as we continued from where we left off. We ended up discussing how great art seems to be "in the eye of the beholder" and how there's little way around this. We touched on what this might mean for the artist - how perhaps he/she should think about targeting his/her work narrowly (to a small group of people, or even an individual) as it seems there's something to be said for the idea that the smaller the target audience, the harder the work can hit that audience.

The phrase "art for art's sake" was brought up and was talked about using the final scene from Edward Scissorhands (where he's in his castle, never to be seen or heard from again, and yet he's working furiously on an ice carving) as a possible example. Regarding this scene, people generally agreed that Edward was either creating art because either 1) he was using the artistic process as something like a catharsis - an emotional outlet, or 2) he was creating the work for an audience - an audience of one. Either way, we generally agreed he was not creating art for art's sake nor is it clear what this phrase could mean.

4/30/03 - What makes for great art?
About a dozen people showed up for our first meeting last week which made for quite an interesting and thoughtful discussion. After introducing the topic and framing some relevant questions, discussion began. After talking about what it means to say something like, "Hamlet is a great play" we asked whether such judgements say more about the viewer than the work and whether such judgements are wholly relative. Towards the end of the discussion we started talking about the emotional component that seems to accompany such aesthetic experiences. It was agreed to pick up the discussion at or around this point.
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